AS Media Studies

Thriller Film Opening

Wednesday, 23 December 2009

Analysis of Thriller Film Openings (first 2 mins only, excluding titles)




The Number 23 (Schumacher, 2007)


How do the following elements create mood/atmosphere?


Camera-work:

  • Stylistic camera-work.
  • Camera revolves around van, looking through windscreen, as if someone if watching the character – suspense.
  • Tight framing in van and upstairs in home – sense of characters being trapped.



Sound:

  • Narrative – lead character (Carrey) talks to audience.
  • Orchestral music – mostly in-keeping with the domestic setting, but bass tones add a slightly darker mood which creates tension.
  • Use of silence in the van (along with shadows) creates mystery and suspense.



Mise-en-Scene:

  • Clock – idea of time/deadlines.
  • Cages in rear of van – sense of isolation, perhaps the lead character being trapped in some way (physically or psychologically).
  • Domestic setting/pictures of family – happy mood, familiar to audience, feeling that everything is ordinary (including the protagonist) and that nothing strange is expected to happen .



Editing & Lighting:

  • Use of flashbacks (opening scene rewinds).
  • Low-key lighting – shadow – creates mystery.




How are the characters introduced?

  • Main Character (Carrey) introduced as camera swoops down on him at the moment at which the narration begins – link between voice and character. Character has the shield and radio, but is an unusual law enforcement officer – animal control, rather than police, etc.
  • Family introduced through photos in van – important part of storyline.
  • Son introduced – jokes with father – happy family life.
  • Wife opens door to Carrey's character. Lighting, and use of silence, suggests that the situation is more sinister than it actually is.



How are the credits integrated?

  • Typewriter font – detective stereotype
  • Red ink – symbolises blood/danger
  • Credits include facts linked to the '23 conspiracy' – clue to what the plot is about
  • Credits embedded in the continually typed '23' ^
  • Fast paced – builds tension
  • Orchestral Soundtrack – builds tension

Friday, 18 December 2009

Thriller Sub-Genres

Action - The Transporter
Conspiracy - JFK
Crime - Reservoir Dogs
Disaster - Airport
Drama - The Prestige
Eco - The Day After Tomorrow
Erotic - Basic Instinct
Legal - The Pelican Brief
Medical - Awake
Political - The Day of the Jackal
Psychological - Strangers on a Train
Spy - Casino Royale
Techno - The Hunt For Red October
Religious - The Da Vinci Code/Angels and Demons

Most thrillers are formed in some combination of the above, with horror, conspiracy, and psychological tricks used most commonly to heighten tension. Combinations are highly diverse, including:
- Science Fiction thrillers: e.g. Jurassic Park, Sunshine
- Techno, Political, Conspiracy, Military: e.g. Robocop
- Legal, Forensic, Psychological: e.g. The Silence of the Lambs, Seven

The 'Thriller' Genre

- Broad genre; a flexible form that can undermine audience complacency
- Includes numerous and often overlapping sub-genres

Conventions:-
- Literary devices:- suspense, red-herrings, cliff-hangers
- Villain-driven plot
- Exotic Settings:- foreign cities, deserts, polar regions, oceans
- Heroes:- frequently are 'hard men', accustomed to danger (e.g. law enforcement officers, spies, soldiers,    sailors, pilots) Or, can be ordinary citizens drawn into danger by accident
- Identity of villain usually known by the audience (to some extent)
- Hero must thwart plans of villain
- Crimes are often of a large scale and have to be prevented, e.g. serial/mass murder, terrorism, assassination, overthrow of governments
- Climax:- when the hero defeats the villain, saving their own life and often the lives of others
- In thrillers influenced by Film Noir and tragedy, the compromised hero is often killed in the process
- Physical and metaphorical concealment of character traits and plot lines
- Female danger, 'femme fatale'
- 'Cool' props/costume, e.g. leather jackets, suits, shades, etc.
- Appropriate/symbolic colour/lighting: shadow - mystery, unknown, reflects dark side of characters; red - danger; white - innocence.

Set Brief - Film

Preliminary Exercise: Continuity task involving filming and editing a character opening a door, crossing a room and sitting down in a chair opposite another character, with whom she/he then exchanges a couple of lines of dialogue. This task should demonstrate match on action, shot/reverse shot and the 180-degree rule.


Main Task: The titles and opening of a new fiction film (in the Thriller genre), to last a maximum of two minutes.